Mixer Audio 10 CH (2Mono & 4 Stereo) w/ FX Processor
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Premium ultra-low noise analog mixer with optional battery operation
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2 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps
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Neo-classic ''British'' 3-band EQs for warm and musical sound
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Optional battery operation (with 9 V alkaline batteries) allows for mobile operation
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4 balanced, high-headroom stereo inputs with 3 additional mic inputs
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One FX send and one Monitor send per channel for external FX devices and monitor applications
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Clip LEDs on all channels and dedicated inserts on all mono channels
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Main output plus separate Phones and CD/Tape outputs
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Switchable phantom power for condenser microphones
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Long-wearing 60-mm logarithmic-taper master fader and sealed rotary controls
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External power supply for noise-free audio and superior transient response
XENYX 1002B
Got a solo gig at the local coffee shop? Need to make a quick public announcement? Simple sound calls for the simply superb XENYX 1002B, the BEHRINGER mixer with everything you need to give an intimate setting incredible sound. The ultra-compact XENYX 1002B mixer’s 10 Inputs (2 mic channels, 4 stereo channels with 3 extra mic inputs) allow you to effortlessly achieve premium-quality sound, thanks to the 2 studio-grade, phantom-powered XENYX Mic Preamps and ultra-musical 3-band “British” channel EQ. The XENYX 1002B’s compact size and flexible input scheme make it the natural choice of sports announcers for calling play-by-play game action. Likewise, radio and TV reporters especially like the XENYX 1002B for its ease-of-use, remarkable fidelity and rugged reliability. And the 1002B’s convenient 9 V battery capability allows newscasters and correspondents to use the 1002B in remote locations – where the nearest power outlet may be many miles away!
Sonically Superior Mic Preamps
The XENYX 1002B gets its name from our legendary, high headroom XENYX mic preamps, which have been praised by audio engineers all over the world. These state-of-the-art mic pres represent a major step in the evolution of audio technology – and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. XENYX preamps off er a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, the XENYX 1002B provides such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren’t looking.
Sublimely Musical British EQ
The British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on our XENYX mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.
Specification
Mono Inputs
| Microphone Inputs (XENYX Mic Preamp) |
Type: XLR connector, electronically balanced, discrete input circuit |
| Mic E.I.N.1 (20 Hz - 20 kHz) |
@ 0 Ω source resistance: -134 dB 135.7 dB A-weighted @ 50 Ω source resistance: -131 dB 133.3 dB A-weighted @ 150 Ω source resistance: -129 dB 130.5 dB A-weighted |
| Frequency response (-1 dB) |
<10 Hz - 160 kHz (-1 dB) |
| Frequency response (-3 dB) |
<10 Hz - 200 kHz (-3 dB) |
| Gain range |
+14 dB to +60 dB |
| Max. input level |
+12 dBu @ +10 dB GAIN |
| Impedance |
2.6 k Ohms balanced |
| Signal-to-noise ratio |
120 dB A-weighted (0 dBu In @ +22 dB GAIN) |
| Distortion (THD + N) |
0.005% / 0.004% A-weighted |
Line Input
| Type |
¼" TRS jack, electronically balanced |
| Impedance |
20 k Ohms balanced, 10 k Ohms unbalanced |
| Gain range |
-10 dB to +40 dB |
| Max. input level |
+22 dBu @ 0 dB GAIN |
Frequency Response (Mic In → Main Out)
| <10 Hz - 90 kHz (-1 dB) |
+0 dB / -1 dB |
| <10 Hz - 160 kHz (-3 dB) |
+0 dB / -3 dB |
Stereo Inputs
| Type |
2 x ¼" TRS jack, balanced |
| Impedance |
20 k Ohms balanced, 10 k Ohms unbalanced |
| Gain range |
-20 dB to +20 dB |
| Max. input level |
+22 dBu @ 0 dB GAIN |
CD/Tape In
| Type |
RCA connector |
| Impedance |
10 k Ohms |
| Max. input level |
+22 dBu |
Equalizer
| LOW |
50 Hz / ±15 dB |
| MID |
700 Hz / ±15 dB |
| HIGH |
10 kHz / ±15 dB |
Channel Inserts
| Type |
¼" TRS jack, unbalanced |
| Max. input level |
+22 dBu |
MON/FX Send
| Type |
¼" mono jack, unbalanced |
| Impedance |
120 Ohms |
| Max. output level |
+22 dBu |
Main Outputs
| Type |
¼" TRS jack, electronically balanced |
| Impedance |
240 Ohms balanced, 120 Ohms unbalanced |
| Max. output level |
+28 dBu |
Phones Output
| Type |
¼" TRS jack, unbalanced |
| Max. output level |
+19 dBu / 150 Ohms (+25 dBm) |
CD/Tape Out
| Type |
RCA connector |
| Impedance |
1 k Ohms |
| Max. output level |
+22 dBu |
Main Mix System Data (Noise)
| Main mix @ -∞, channel fader @ -∞ |
-100 dB / -102.5 dB A weighted |
| Main mix @ 0 dB, channel fader @ -∞ |
-82 dB / -85 dB A weighted |
| Main mix @ 0 dB, channel fader @ 0 dB |
-72 dB / -75 dB A weighted |
Power Supply
| Power consumption |
50 W |
| Fuse (100-120 V~, 50/60 Hz) |
T 2,0 A H 250 V |
| Fuse (220-230 V~, 50/60 Hz) |
T 2,0 A H 250 V |
| Mains Connector |
USA/Canada: 120 V~, 60 Hz, Power Supply MXUL4 U.K./Australia: 240 V~, 50 Hz, Power Supply MXUK4 China/Korea: 220 V~, 50 Hz, Power Supply MXCHN4 Europe: 230 V~, 50 Hz, Power Supply MXEU4 Japan: 100 V~, 50-60 Hz, Power Supply MXJP4 |
Phantom Power
| With battery power |
+18 V |
| With AC adaptor |
+23 V |
Battery
| Battery life |
4 hours w/ high quality Alkaline battery |
Physical/Weight
| Dimensions (H x W x D) |
1 9/16" / 2 7/8 x 11 3/4 x 8 1/2" 40 mm / 73 x 298 x 216 mm |
| Weight |
6.1 lbs / 2.77 kg (PSU not included) |
